Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas A Carriage at the Races oil painting


A Carriage at the Races
mk235 c.1869-1872 Oil on canvas
Painting ID::  54567 		Edgar Degas
A Carriage at the Races
mk235 c.1869-1872 Oil on canvas
   
   
     
Edgar Degas Race Horses in Front of the Stand oil painting


Race Horses in Front of the Stand
mk235 c.1869 Oil on canvas
Painting ID::  54568 		Edgar Degas
Race Horses in Front of the Stand
mk235 c.1869 Oil on canvas
   
   
     
Edgar Degas Woman ironing oil painting


Woman ironing
mk235 c.1869 Oil on canvas
Painting ID::  54573 		Edgar Degas
Woman ironing
mk235 c.1869 Oil on canvas
   
   
     
Edgar Degas The Dancing Class oil painting


The Dancing Class
mk235 c.1872 Oil on canvas
Painting ID::  54583 		Edgar Degas
The Dancing Class
mk235 c.1872 Oil on canvas
   
   
     
Edgar Degas Musicians in the orchestra oil painting


Musicians in the orchestra
mk235 1870-71 Oil on canvas 69x49cm
Painting ID::  54584 		Edgar Degas
Musicians in the orchestra
mk235 1870-71 Oil on canvas 69x49cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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